My upcoming monograph examines theatrical exchange between Spain and the former Yugoslavia, with primary focus on voyage plays. Looking closely at travelling actors, characters, productions (tours), and translations, I demonstrate that there is a connection between on-stage depictions of travel and off-stage memory politics. This work dialogues with what is known as the ‘travelling turn’ in Memory Studies.

Examining works in Serbo-Croatian, Spanish, Catalan, Galician, and Slovenian, the book charts thirty years of cultural and mnemonic exchange between the regions, situating these theatrical productions within a long, though often underground, history of collaboration.* Hermes/Mercury, the Greco-Roman traveller god — also on the front page of this website — acts as my guide in connecting these productions, informing what I call the ‘travelling player’.